"Wings" Gustavo Santaolalla
Thought 1.
There are times when I feel I want to help the world. There are times when I think I can just pack up and join an ashram or help rebuild some huts in Ecuador. And then I think of the people who normally inhabit those fantasies and think, hmm, they probably would love to switch places with me. So I guess screw them. That's why I think donating to your favorite organization is good enough.
Thought 2.
I'm thinking about transferring to another office within the company. Maybe London for a couple of years or New York. But I can't stand the rain and snootiness of London and I can't stand the urinal stench of summertime in New York. My life is OK, you know. But sometimes I just get a little restless.
Thought 3.
What I'm most excited about right now is my 4am drive to the airport. I feel so good at that hour. I am most excited about standing in the cold with my bag and waiting and breathing the cold thin air and hearing the sounds and thinking of stuff. Stuff like, "Hmm, what's the point of accumulating wealth or knowledge, it's just more of the same, right? There is no point in that. So I guess life must be about love." I'm just kidding, I don't have those thoughts.
Saturday, September 30, 2006
Sunday, August 27, 2006
"Roscoe" Midlake
I knew, even before we drove out here, that it would end with me on the road walking in the same direction. Eight hours delayed. Jeans a bit dirtier. I can't recall the accident responsible for this stain on my knee. My pack has half a dozen cigarettes unaccounted for. And my shoulder is sore.
Three hours ago, I said, "I just want to feel the wind." You waited patiently. I realized then that graciousness--or perhaps mercy--is nothing but the postponement of separation.
You've disappeared westward and I head for the darkness of those mountains. Dust. Dust. Dust. Blowing in the still hot air. You were not supposed to believe what I said.
I knew, even before we drove out here, that it would end with me on the road walking in the same direction. Eight hours delayed. Jeans a bit dirtier. I can't recall the accident responsible for this stain on my knee. My pack has half a dozen cigarettes unaccounted for. And my shoulder is sore.
Three hours ago, I said, "I just want to feel the wind." You waited patiently. I realized then that graciousness--or perhaps mercy--is nothing but the postponement of separation.
You've disappeared westward and I head for the darkness of those mountains. Dust. Dust. Dust. Blowing in the still hot air. You were not supposed to believe what I said.
Tuesday, August 22, 2006
Tuesday, August 01, 2006
Saturday, July 29, 2006
"Cigarettes Will Kill You" Ben Lee
My dream from just a few hours ago:
I.
I was on an overground train in New York. I'm sitting next to Natalie Portman. I want to talk to her, but I don't because I don't want her to think I'm a stalker. She smiles at me and begins to get up. I shift my knees to let her pass. I notice strange wide shoulders underneath that white sweater. She bows her head as she walks through the car, searching for a bathroom. While she's taking a piss, I write a poem.
All I can remember is that the first line includes the word "louse."
II.
I am suddenly underneath a television in the middle of this train, watching a Natalie Portman music video. But it is my poem she is singing and she's added a horrible line to the end . Did Natalie Portman just steal my poem? Why would she do this? She seemed perfectly capable of writing her own music when she appeared on Bravo's Inside the Actor's Studio. I wait for the video to end where it shows writing and producing credits. I run back to my seat. She's there with her svengali manager, who is dressed in a tight faded t-shirt.
"Why didn't you attribute this poem to me? I wrote that."
She just turns and smiles at me.
Cunt.
I begin to invade her physial space. I use my forearm to block her attempts to escape. I believe I also choked her.
III.
I am no longer angry with Natalie Portman, in fact we are walking the streets of New York City and are passing through a park. Snow has recently fallen and my Salomon shoes are not the right shoes. I wonder to myself if I brought boots. The snow gets through the shoe an melts in my socks. I say, "Hey, what's that? It's so beautiful." There is a black pinecone on one of the trees, but it is abuzz with small specks of golden light. She agrees that it's beautiful. There are golden specks of light everywhere.
My dream from just a few hours ago:
I.
I was on an overground train in New York. I'm sitting next to Natalie Portman. I want to talk to her, but I don't because I don't want her to think I'm a stalker. She smiles at me and begins to get up. I shift my knees to let her pass. I notice strange wide shoulders underneath that white sweater. She bows her head as she walks through the car, searching for a bathroom. While she's taking a piss, I write a poem.
All I can remember is that the first line includes the word "louse."
II.
I am suddenly underneath a television in the middle of this train, watching a Natalie Portman music video. But it is my poem she is singing and she's added a horrible line to the end . Did Natalie Portman just steal my poem? Why would she do this? She seemed perfectly capable of writing her own music when she appeared on Bravo's Inside the Actor's Studio. I wait for the video to end where it shows writing and producing credits. I run back to my seat. She's there with her svengali manager, who is dressed in a tight faded t-shirt.
"Why didn't you attribute this poem to me? I wrote that."
She just turns and smiles at me.
Cunt.
I begin to invade her physial space. I use my forearm to block her attempts to escape. I believe I also choked her.
III.
I am no longer angry with Natalie Portman, in fact we are walking the streets of New York City and are passing through a park. Snow has recently fallen and my Salomon shoes are not the right shoes. I wonder to myself if I brought boots. The snow gets through the shoe an melts in my socks. I say, "Hey, what's that? It's so beautiful." There is a black pinecone on one of the trees, but it is abuzz with small specks of golden light. She agrees that it's beautiful. There are golden specks of light everywhere.
Wednesday, July 19, 2006
"I Still Haven't Found What I'm Looking For" Damien Rice
The last time I felt and looked like this--gaunt, emptied, beaten--I was a feverish boy staggering in the hallway, noticing anew the space and dimensions of doorknobs, runners and light fixtures. And the revitalizing coldness of bathroom tiles on my bare feet. I'm so tired. I do not recognize myself like this.
This morning, I ask for patience.
The last time I felt and looked like this--gaunt, emptied, beaten--I was a feverish boy staggering in the hallway, noticing anew the space and dimensions of doorknobs, runners and light fixtures. And the revitalizing coldness of bathroom tiles on my bare feet. I'm so tired. I do not recognize myself like this.
This morning, I ask for patience.
Sunday, June 25, 2006
"Headphones" Bjork
If I could be the drug on your tongue, if I could swim in your blood.
If these accidental collisions grew patterns of intent.
If somebody lifted these gauzy rain clouds, several months late. They had no business here.
If we were blind and mute.
If it were as simple as the confluence of tributaries, identified by a new whole.
If I could leave these things behind and scale these walls.
These names follow me around. These disparate events are growing arms to reach each other and are aligning themselves under new definitions. I am cheap and jealous. I am plummeting into the negative half of my mind's amplitude. Where is the smell of Dharamsala? Where are these secret weapons I've been collecting?
How can we be judged on our successes, when they do not speak of the chaos that surrounds every event, and are influenced by those whose intent nor means we can control?
We do the best we can and I hope that somebody is keeping track.
If I could be the drug on your tongue, if I could swim in your blood.
If these accidental collisions grew patterns of intent.
If somebody lifted these gauzy rain clouds, several months late. They had no business here.
If we were blind and mute.
If it were as simple as the confluence of tributaries, identified by a new whole.
If I could leave these things behind and scale these walls.
These names follow me around. These disparate events are growing arms to reach each other and are aligning themselves under new definitions. I am cheap and jealous. I am plummeting into the negative half of my mind's amplitude. Where is the smell of Dharamsala? Where are these secret weapons I've been collecting?
How can we be judged on our successes, when they do not speak of the chaos that surrounds every event, and are influenced by those whose intent nor means we can control?
We do the best we can and I hope that somebody is keeping track.
Friday, June 23, 2006
"Olsen Olsen" Sigur Ros
I woke up at 4 this morning.
I was sleepy so this guy goes, here, take this. Hydroxycut. I said, fine, and besides, who doesn't want to burn a little extra sumpin' sumpin' around their waist right? What guy doesn't want the coveted V separation between the upper thighs and the lower obliques? I ain't too proud to tell you the truth. Shit.
So I've been running around unnecessarily around the office, like I'm cocained. And paranoid that people sense this frenetic energy coming out of my fingertips. Imagine my hands like the spiky outside of jackfruit and yellow lighting bolts coming out. And the sound of bees all around.
I want to vomit.
I woke up at 4 this morning.
I was sleepy so this guy goes, here, take this. Hydroxycut. I said, fine, and besides, who doesn't want to burn a little extra sumpin' sumpin' around their waist right? What guy doesn't want the coveted V separation between the upper thighs and the lower obliques? I ain't too proud to tell you the truth. Shit.
So I've been running around unnecessarily around the office, like I'm cocained. And paranoid that people sense this frenetic energy coming out of my fingertips. Imagine my hands like the spiky outside of jackfruit and yellow lighting bolts coming out. And the sound of bees all around.
I want to vomit.
Saturday, June 17, 2006
"Changes Are No Good" The Stills
I stopped working overtime for my job. I'm happy about that. I'm now rededicating myself to getting some other chapters published. Detached for months from this project has given me a bit of insight: Some of this shit sucked. The grammar is impeccable, of course, and the phrasing is precise and sometimes clever. But I was so concerned with length that some of these chapters lack the necessary focus to make it a compelling read. I'm working on a section now whose core element is a run-in with Osama Bin Laden. But I managed to talk about Disneyland, American commercials, the business casual beach attire of Muslims, a fist fight outside a restaurant, how many bottles of water I've drank, a fantasy scene with me and the president and another fight. Hmm, you know how sometimes nervous people talk too much as a means to conceal their ignorance or lacking confidence? This is what's going on here. Come on, boy, chin up.
Something else: This heat inspires both activity and lethargy. I woke up at 7 this morning after 4.5 hours of sleep, got dressed to play tennis, and went back to sleep until 11:30.
I stopped working overtime for my job. I'm happy about that. I'm now rededicating myself to getting some other chapters published. Detached for months from this project has given me a bit of insight: Some of this shit sucked. The grammar is impeccable, of course, and the phrasing is precise and sometimes clever. But I was so concerned with length that some of these chapters lack the necessary focus to make it a compelling read. I'm working on a section now whose core element is a run-in with Osama Bin Laden. But I managed to talk about Disneyland, American commercials, the business casual beach attire of Muslims, a fist fight outside a restaurant, how many bottles of water I've drank, a fantasy scene with me and the president and another fight. Hmm, you know how sometimes nervous people talk too much as a means to conceal their ignorance or lacking confidence? This is what's going on here. Come on, boy, chin up.
Something else: This heat inspires both activity and lethargy. I woke up at 7 this morning after 4.5 hours of sleep, got dressed to play tennis, and went back to sleep until 11:30.
Monday, June 12, 2006
"Hide and Seek" Imogen Heap
"I know, but who was here first?"
Silly, really, for him to assume schoolyard ethics should have a place here. Of course this--the expectation that his rules would travel with him and instantly resonate with those he just met--was a mistake he'd made in the past, and one he continued to make on a perennial basis.
"Wait your fucking turn," he said. And to her, across the table, he mouthed, "Idiot."
Her delicate face, carefully embellished with the colors of moth and butterfly wings, falsely advertised a history and complexity in character that were largely absent. Surrounded by two men who were three choice words shy of a butter knife duel, she smiled. Perfectly still, vapid as ever.
His breaths had grown shallower over these last years. Despite irrefutable scientific evidence supporting deep, diaphragmatic breathing which he accidentally found on medical websites--he regularly browsed for pathologies for which he could qualify--he breathed like a very old man with a very large thing stuck in his throat.
"I know, but who was here first?"
Silly, really, for him to assume schoolyard ethics should have a place here. Of course this--the expectation that his rules would travel with him and instantly resonate with those he just met--was a mistake he'd made in the past, and one he continued to make on a perennial basis.
"Wait your fucking turn," he said. And to her, across the table, he mouthed, "Idiot."
Her delicate face, carefully embellished with the colors of moth and butterfly wings, falsely advertised a history and complexity in character that were largely absent. Surrounded by two men who were three choice words shy of a butter knife duel, she smiled. Perfectly still, vapid as ever.
His breaths had grown shallower over these last years. Despite irrefutable scientific evidence supporting deep, diaphragmatic breathing which he accidentally found on medical websites--he regularly browsed for pathologies for which he could qualify--he breathed like a very old man with a very large thing stuck in his throat.
Thursday, June 08, 2006
"How I Made My Millions" Radiohead
It's like holding my breath and closing up my eyelids until they hurt and freezing the image in my head and zooming in and out, rotating it, trying to make indellible the nuances of its dimensions. And saying, "You're here, right here, inside, inside. Forever." But how can I make permanent that which was born from circumstance? A new smell, a distinct new blue in the sky, the lovely settling of food in my belly, a song, this one--an intermingling of forces cosmic in aggregation, chaotic in origin, never to happen again. How can something so pure and strong come from things so easily dismissed as the haphazard occurences of every day? I wish I could remember you, that easy smile, the way you treated others, a self-acceptance so vital it made others believe they too were deserving of love.
I was one of them. I was inside your orbit. And the faculties that held me up so well--analysis, skepticism, truth-finding--you suspended in your anti-gravity. But I have changed. I am smiling now, the kind whose gentle curve upward tries to conceal what the eyes cannot deny. I have the symptoms of a beautiful life, but I am sick of everything. And people know it from my eyes. Sick of what's around me, sick of the disease that's eating everybody around me, some know it and are struggling amid others who are unwittingly promoting its advance.
You said once you'd never leave, that you had moved inside me. And you said not to worry, you said, "You don't need to move to the mountains to be a Buddhist. It's up here." You pointed to my head. "And here." My chest.
It's like holding my breath and closing up my eyelids until they hurt and freezing the image in my head and zooming in and out, rotating it, trying to make indellible the nuances of its dimensions. And saying, "You're here, right here, inside, inside. Forever." But how can I make permanent that which was born from circumstance? A new smell, a distinct new blue in the sky, the lovely settling of food in my belly, a song, this one--an intermingling of forces cosmic in aggregation, chaotic in origin, never to happen again. How can something so pure and strong come from things so easily dismissed as the haphazard occurences of every day? I wish I could remember you, that easy smile, the way you treated others, a self-acceptance so vital it made others believe they too were deserving of love.
I was one of them. I was inside your orbit. And the faculties that held me up so well--analysis, skepticism, truth-finding--you suspended in your anti-gravity. But I have changed. I am smiling now, the kind whose gentle curve upward tries to conceal what the eyes cannot deny. I have the symptoms of a beautiful life, but I am sick of everything. And people know it from my eyes. Sick of what's around me, sick of the disease that's eating everybody around me, some know it and are struggling amid others who are unwittingly promoting its advance.
You said once you'd never leave, that you had moved inside me. And you said not to worry, you said, "You don't need to move to the mountains to be a Buddhist. It's up here." You pointed to my head. "And here." My chest.
Thursday, May 18, 2006
"MJB Da MVP" Mary J. Blige
You know what, no, I'm not going to wait until my thoughts gel into clean organized thoughts. Won't wait for me to calm down, take a deep breath. I hate work. I fucking hate it. I wanted to run around the office ramming people into water coolers. Tackling them into the sharp edges of their hardwood cubicles. And smashing my forearm into necks, pushing them against lavender, sound-dampening walls. The truncated breaths associated with panic and assaults.
And I would grind my teeth at them. Stare at them directly and growl, "Don't question the quality of my product! I have flawless output!"
And a copy of my manifesto--again, flawlessly produced by one of our high-end all-in-one color laser printer/fax/scanner/copiers--will be thrown at each desk. Memorable lines include: "Down with the culture of mediocrity!...Lynch lazies!...Pass the buck and die!"
I'm cornered by people whose demands far exceed their capacity to produce. This leads to endless bitching and rampant finger-pointing.
I need to do push ups.
You know what, no, I'm not going to wait until my thoughts gel into clean organized thoughts. Won't wait for me to calm down, take a deep breath. I hate work. I fucking hate it. I wanted to run around the office ramming people into water coolers. Tackling them into the sharp edges of their hardwood cubicles. And smashing my forearm into necks, pushing them against lavender, sound-dampening walls. The truncated breaths associated with panic and assaults.
And I would grind my teeth at them. Stare at them directly and growl, "Don't question the quality of my product! I have flawless output!"
And a copy of my manifesto--again, flawlessly produced by one of our high-end all-in-one color laser printer/fax/scanner/copiers--will be thrown at each desk. Memorable lines include: "Down with the culture of mediocrity!...Lynch lazies!...Pass the buck and die!"
I'm cornered by people whose demands far exceed their capacity to produce. This leads to endless bitching and rampant finger-pointing.
I need to do push ups.
Friday, April 21, 2006
Sunday, April 16, 2006
Thursday, April 13, 2006
"The Last Song" All American Rejects
Hopefully today's meeting was the last about this job. He said he'd called the 'bean-counters' and lobbied heavily in my favor. "Can we meet him halfway at least?" I appreciated this. This was to earn my trust. He then appealed to my perceived inexperience by saying, "You're making a very big mistake." He then appealed to my ego by saying, "I know by your DNA that you'll feel hollow if you returned to your old job. You have a great deal of pride in your work. The reason you had this opportunity in the first place is because of your work ethic and intelligence." He then called me an "Indian giver" and turned around and he then used intimidation by saying, "I don't know if anything else will come up for you, we're a very petty and vindictive department." He made a comment about me missing the bus and maybe this spot will be already taken by somebody else.
People who've made it in this company are people who are competent, persistent, but ultimately unambitious. Their success is attributable to their ability to slide into the status quo, their advancement is the result of a sequence of accidents that finds them at the right time at the right place. For a company this size, whose financial philosophy is very conservative, this structure works well. Improvements are made on a glacial pace, as a matter of evolution. Shifting paradigms is not in their interests. They cannot take these risks.
What I've learned about myself: If ego is unjustified confidence, then mine is big. There's no reason for me to believe I will be successful in a job whose prerequisite skills are nowhere to be found on my resume. But I just believe that I can. I was not intimidated by any part of this process and I'm proud of myself for that. I also saw an extremely competitive part of me that sometimes clouded my better judgement. I sometimes wanted to win so badly that I lost sight of the issues and interests that were on the table. I need to keep this in check because it's a hazardous quality in these situations. I realized that I can get stressed out and overworked, but that something switches right before showtime. I'm interested more in being respected than liked, but I also learned that it hurts me a great deal when people don't like me. I've found another tone in my voice, a stronger firmer one. I realized my patience is selective. I have a great deal with people I like. I have very little for those I don't. I realized that it is possible to fight for what I want and stay respectful.
Hopefully today's meeting was the last about this job. He said he'd called the 'bean-counters' and lobbied heavily in my favor. "Can we meet him halfway at least?" I appreciated this. This was to earn my trust. He then appealed to my perceived inexperience by saying, "You're making a very big mistake." He then appealed to my ego by saying, "I know by your DNA that you'll feel hollow if you returned to your old job. You have a great deal of pride in your work. The reason you had this opportunity in the first place is because of your work ethic and intelligence." He then called me an "Indian giver" and turned around and he then used intimidation by saying, "I don't know if anything else will come up for you, we're a very petty and vindictive department." He made a comment about me missing the bus and maybe this spot will be already taken by somebody else.
People who've made it in this company are people who are competent, persistent, but ultimately unambitious. Their success is attributable to their ability to slide into the status quo, their advancement is the result of a sequence of accidents that finds them at the right time at the right place. For a company this size, whose financial philosophy is very conservative, this structure works well. Improvements are made on a glacial pace, as a matter of evolution. Shifting paradigms is not in their interests. They cannot take these risks.
What I've learned about myself: If ego is unjustified confidence, then mine is big. There's no reason for me to believe I will be successful in a job whose prerequisite skills are nowhere to be found on my resume. But I just believe that I can. I was not intimidated by any part of this process and I'm proud of myself for that. I also saw an extremely competitive part of me that sometimes clouded my better judgement. I sometimes wanted to win so badly that I lost sight of the issues and interests that were on the table. I need to keep this in check because it's a hazardous quality in these situations. I realized that I can get stressed out and overworked, but that something switches right before showtime. I'm interested more in being respected than liked, but I also learned that it hurts me a great deal when people don't like me. I've found another tone in my voice, a stronger firmer one. I realized my patience is selective. I have a great deal with people I like. I have very little for those I don't. I realized that it is possible to fight for what I want and stay respectful.
Wednesday, April 05, 2006
"Nos Da Cariad" David Gray
I haven't felt as good as I did today in a very long time. The following are responsible:
I haven't felt as good as I did today in a very long time. The following are responsible:
- Spoke with J. in the morning and yes, I will visit her in Philadelphia. I'm very excited. I can't wait to drink wine with J. And then to wake up early and do crossword puzzles.
- Had a meeting at 9am with my boss's boss's boss's boss. She said I should not be short-sighted, said I should consider the opportunities, said she could not disrupt the equity of compensation for the group. I agreed with her and said I have thought of all of that. She said, perhaps I should think about it. I said, "I think I've already given you my answer." I had already declined it. "I cannot justify to myself working 60% more to receive just a 10% increase. I'm not comfortable with that." It feels good to say no to money. I hope this months-long fiasco is done. I've received attention because of all of this. My next step is to lay very low for the next 2 months.
- The sun came out and it was windy. I felt with the right apparel I could fly away. Exactly two years ago, I arrived in Hanoi. I miss being out.
Monday, March 27, 2006
"End of the Day" Beck
I'm supposed to hear back about my stupid job tomorrow, wondering what kind of cockamamie plans about my new position and pay they've hatched. I've said no, and they've reconsidered their offer.
I will still say no.
The better part of my 8-hour workday was devoted to the careful selection of a Powerpoint template. I changed the colors around and then resourcefully parlayed copyrighted material into my very own, one-of-a-kind bullets. This is the kind of attention to detail that easily impresses the casual observer, and the average viewer of my presentation. It's the clean lines and cohesive identity of my visuals that will convince them of a material that is largely absent. In the battle between style and substance, style always wins. Substance without style is boring drivel that few are willing to interpret on their own. Style without substance is--at the very least--entertainment, and that's enough for most.
I'm supposed to hear back about my stupid job tomorrow, wondering what kind of cockamamie plans about my new position and pay they've hatched. I've said no, and they've reconsidered their offer.
I will still say no.
The better part of my 8-hour workday was devoted to the careful selection of a Powerpoint template. I changed the colors around and then resourcefully parlayed copyrighted material into my very own, one-of-a-kind bullets. This is the kind of attention to detail that easily impresses the casual observer, and the average viewer of my presentation. It's the clean lines and cohesive identity of my visuals that will convince them of a material that is largely absent. In the battle between style and substance, style always wins. Substance without style is boring drivel that few are willing to interpret on their own. Style without substance is--at the very least--entertainment, and that's enough for most.
Sunday, March 26, 2006
"Pink Bullets" The Shins
Two important conversations this past weekend have exposed the lopsidedness of my confidence. Tie my hands behind my back, hide my passport and stick me in a third world country and I'll be fine. Leave me in an interview wearing only tube socks and a wife-beater and I'll manage. It's putting my hand gently behind a girl's back, a subtle gesture of guidance and protection--I'm told; it's the awkward negotiation of personal space; it's the offering and the subsequent rubbing of cold hands; it's the steady pressure of my chest against her shoulder, as I hold the umbrella; it's saying, "No, you don't have to drive me home, my company will pay for a taxi." These are the things that make me sweat and stutter.
Two important conversations this past weekend have exposed the lopsidedness of my confidence. Tie my hands behind my back, hide my passport and stick me in a third world country and I'll be fine. Leave me in an interview wearing only tube socks and a wife-beater and I'll manage. It's putting my hand gently behind a girl's back, a subtle gesture of guidance and protection--I'm told; it's the awkward negotiation of personal space; it's the offering and the subsequent rubbing of cold hands; it's the steady pressure of my chest against her shoulder, as I hold the umbrella; it's saying, "No, you don't have to drive me home, my company will pay for a taxi." These are the things that make me sweat and stutter.
Saturday, March 25, 2006
"Fix You" Coldplay
Earlier this week, I had dinner with somebody who--in a moment of clarity and reflection during yoga--realized something. At the age of 26, she had done much of the growing she was going to do. Her personality had gelled into its final shape. Beyond the incorporation of new slang, the appearance of some wrinkles, she saw in that wall-sized mirror, under those unforgiving gym lights, the woman she was going to be for the rest of her life.
Earlier this week, I had dinner with somebody who--in a moment of clarity and reflection during yoga--realized something. At the age of 26, she had done much of the growing she was going to do. Her personality had gelled into its final shape. Beyond the incorporation of new slang, the appearance of some wrinkles, she saw in that wall-sized mirror, under those unforgiving gym lights, the woman she was going to be for the rest of her life.
Thursday, March 23, 2006
"Baby Britain" Elliot Smith
Oh boy, what a mess, this stuff on my hands. I hope it wasn't premature when I said I had avoided all trauma that could've pushed me over the edge. Said that about a month and a half ago to a woman taking anti-depressants for four years.
According to the tests, I am in very good shape.
A friend drove by and said, "You're like digging at the sand and you think there's something 150 feet deep."
And I thought, "Why dig when I can just lay out?"
There was no traceable signs of parasites in my stool.
I never feel ready for shit, and yet here they come marching my way. I thought it was going to happen tonight, in the middle of a room, people sweating all over me, me breathing their nitrogen, and me in the corner, half-naked and chest heaving, the shape of my face narrowing and then I said to myself, "Who is this?" And I did not recognize the man in the mirror, the narrower face, the weirder right eye.
The last time this happened, I saw horns coming out of my brow, and my pupils elongated.
Before then, it was at my apartment and the shadows came and I found myself curled up into a ball in the corner of the room.
I don't have any STDs. I'm not diabetic, not hypoglycemic.
I said I'm not interested in distractions, but I fear what I may discover once I shake everything off. The instinct is to run, I've been told, to stop the system and evacuate. And if I could just be in that hut, on the bed, with a big bottle of water, some fruit and cigarettes and a thick book. The way I must cope with the factors in this world, those things I perceive threatening; I cannot do enough yoga, or drink enough water, or talk to my friends. I am continually having to improvise defenses and I don't know if I'm going to run out of ideas.
And I want to stop saying, "I'm OK, I'm OK, I'm OK."
I want to believe, truly believe that I am a man worthy of love, not as a reward for my goodwill, or for my successes as an employee, a traveler, a son, a friend. Love is not a consequence, it is a right.
And they said my heart is slow. My strong, strong heart that beats 60 bpm.
Oh boy, what a mess, this stuff on my hands. I hope it wasn't premature when I said I had avoided all trauma that could've pushed me over the edge. Said that about a month and a half ago to a woman taking anti-depressants for four years.
According to the tests, I am in very good shape.
A friend drove by and said, "You're like digging at the sand and you think there's something 150 feet deep."
And I thought, "Why dig when I can just lay out?"
There was no traceable signs of parasites in my stool.
I never feel ready for shit, and yet here they come marching my way. I thought it was going to happen tonight, in the middle of a room, people sweating all over me, me breathing their nitrogen, and me in the corner, half-naked and chest heaving, the shape of my face narrowing and then I said to myself, "Who is this?" And I did not recognize the man in the mirror, the narrower face, the weirder right eye.
The last time this happened, I saw horns coming out of my brow, and my pupils elongated.
Before then, it was at my apartment and the shadows came and I found myself curled up into a ball in the corner of the room.
I don't have any STDs. I'm not diabetic, not hypoglycemic.
I said I'm not interested in distractions, but I fear what I may discover once I shake everything off. The instinct is to run, I've been told, to stop the system and evacuate. And if I could just be in that hut, on the bed, with a big bottle of water, some fruit and cigarettes and a thick book. The way I must cope with the factors in this world, those things I perceive threatening; I cannot do enough yoga, or drink enough water, or talk to my friends. I am continually having to improvise defenses and I don't know if I'm going to run out of ideas.
And I want to stop saying, "I'm OK, I'm OK, I'm OK."
I want to believe, truly believe that I am a man worthy of love, not as a reward for my goodwill, or for my successes as an employee, a traveler, a son, a friend. Love is not a consequence, it is a right.
And they said my heart is slow. My strong, strong heart that beats 60 bpm.
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